One

One

Kiln formed, blown and coldworked glass, steel

420 x 825 x 25 cm

2007

Available

Image: RLDI

Sea Space

Sea Space

Black and white photograph from timelapse video, acrylic, timber

Dimensions variable

2018

Image: Brian Corr

Sea Space

Sea Space

Black and white photograph from timelapse video, acrylic, timber

Dimensions variable

2018

Image: Brian Corr

 Lux Mandala translates of a rare optical phenomenon into a mechanism for contemplative experience. A field of retro-reflective glass microspheres are adhered to a wall-mounted substrate and illuminated by a single white LED light. The microspheres b

Lux Mandala translates of a rare optical phenomenon into a mechanism for contemplative experience. A field of retro-reflective glass microspheres are adhered to a wall-mounted substrate and illuminated by a single white LED light. The microspheres backscatter incoming rays of light towards the viewer. This generates the appearance of an ethereal prismatic halo. No two viewers can observe the same halo, and the phenomenon ceases to exist when the work is viewed from beyond the angle of illumination.

The viewer’s shadow is therefore cast at the halo’s centre, becoming an integral part of the viewing experience. My intention is that through an engagement with the image of one’s own shadow encompassed by this lucent mandala and the recognition of the phenomenon’s inherent transience, viewers might experience a cathartic sense of wonder, or perhaps, even a fleeting recognition of the transcendent within themselves and within the world we occupy.Glass microspheres, LED light, timber, paint

238 x 238 x 6 cm

2018

Image: Hcreations

Lux Mandala

Lux Mandala

Lux Mandala translates of a rare optical phenomenon into a mechanism for contemplative experience. A field of retro-reflective glass microspheres are adhered to a wall-mounted substrate and illuminated by a single white LED light. The microspheres backscatter incoming rays of light towards the viewer. This generates the appearance of an ethereal prismatic halo. No two viewers can observe the same halo, and the phenomenon ceases to exist when the work is viewed from beyond the angle of illumination.

The viewer’s shadow is therefore cast at the halo’s centre, becoming an integral part of the viewing experience. My intention is that through an engagement with the image of one’s own shadow encompassed by this lucent mandala and the recognition of the phenomenon’s inherent transience, viewers might experience a cathartic sense of wonder, or perhaps, even a fleeting recognition of the transcendent within themselves and within the world we occupy.

Timshel

Timshel

Kiln formed, waterjet cut and constructed glass, Coreten steel

318 x 284 x 94 cm

2012

Available

Image: RLDI

Timshel

Timshel

Kiln formed, waterjet cut and constructed glass, Coreten steel

318 x 284 x 94 cm

2012

Available

Image: Parallax Photography

Eternity Rising

Eternity Rising

Kiln formed and constructed glass, steel

250 x 270 x 70 cm

2010

Permanent installation at the Asan Youth Center, South Korea

Image: Brian Corr

Flow

Flow

Kiln formed, blown and coldworked glass, stainless steel cable, aluminum

375 x 1750 x 25 cm

2008

Available

Image: Wagga Wagga Art Gallery

Seek

Seek

Blown and coldworked glass, aluminum and stainless steel cable

275 x 17 x 17 cm

2010

Private Collection

Image: RLDI

Seek

Seek

Blown and coldworked glass, aluminum and stainless steel cable

275 x 17 x 17 cm

2010

Private Collection

Image: RLDI

Moment

Moment

Blown and coldworked glass, enamel paint, aluminum and stainless steel cable

350 x 17 x 17 cm

2007

Image: RLDI